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John Coltrane's brief but prodigious Atlantic Records period (1959-61) included the highly underrated “Coltrane's Sound”, recorded in 1960 and released in 1964. "The title could not have been more accurate, as each of the six pieces bear the unmistakable and indelible stamp of Coltrane's early-'60s style... Regardless of the lack of attention, these recordings remain among Trane's finest," writes AllMusic.
The eight post-bop songs here were recorded during the same two sessions (October 24 and 26, 1960) that produced some of “My Favorite Things” and most of the essential “Coltrane Plays The Blues”. It was only pianist McCoy Tyner's third recording session with Coltrane — and drummer Elvin Jones's second occasion with sax legend. But both contribute exponentially to the success of Coltrane's conceptions. However, it's still the tenor sax which is most memorable throughout.
Coltrane's originals, "Liberia," "Satellite" and, most especially the disc's stand-out cuts, "Equinox" (featuring a marvelous solo from Tyner) and "Central Park West" (featuring Coltrane on soprano), are all worth hearing again and again, writes AllAboutJazz.com. Coltrane also tears apart the standards "The Night Has A Thousand Eyes" and "Body and Soul" with an atypical fervor that invites even the most casual listener to stop and pay attention and want to hear again.
1. The Night Has A Thousand Eyes
2. Central Park West
3. Liberia
4. Body And Soul
5. Equinox
6. Satellite